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  #1861  
Old 02-23-2010, 07:51 PM
SYLMML's Avatar
Diamond Member
Lindenhurst, NY
 
This thread is my favorite. Love to go over all the pages of Nancy's book and have her comment each day. It is what this forum is all about.
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Sylvia
  #1862  
Old 02-23-2010, 08:02 PM
NickfromPhilly's Avatar
Mentor
Beautiful, Bucolic Bucks County, PA
 
Probably Claude Pepper of Florida.
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Sicilia forever
"Living Well Is The Best Revenge"
  #1863  
Old 02-23-2010, 09:16 PM
Nancy's Avatar
Administrator
Southern California
 
That's the dude. 1972, I think.
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  #1864  
Old 02-23-2010, 09:46 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
Quote:
Originally Posted by NickfromPhilly View Post
If you remember, or have a record of his exact words, I'd love to read them again.
See: July 18, 1972.
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Allen
"Could start for the corner... turn up in Spain... why try to change me now..."
  #1865  
Old 02-23-2010, 11:04 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
February 24th

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

FEBRUARY 24, 1970: Shooting began in Tucson on Dirty Dingus Magee, a period comedy western in which he played a thieving reprobate. FS in longjohns in Yerkys Hole, New Mexico, circa 1880. He needed this silliness after Grandpa died.

FEBRUARY 24, 1967: FS was among the stars who took part in an internationally broadcast radio show honoring the 25th anniversary of the Voice of America.

FEBRUARY 16–MARCH 1, 1967: FS did another two-week stint at the Fontainebleau Hotel... [See February 16th]

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit, he went straight into a two-week gig at the Fontainebleau in Miami Beach.

FEBRUARY 17–MARCH 2, 1965: He and [Joe E.] Lewis moved the act to the Sands for another two-week run.

FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1866  
Old 02-25-2010, 01:41 AM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
February 25th

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

FEBRUARY 25, 1995: At the age of 79, before a VIP invitational audience in Palm Springs, Dad performed at a party on the last day of the Frank Sinatra Desert Classic golf tournament.

He stepped onto the stage, grabbed the mike and swung into Nelson Riddle's arrangement of "I've Got the World on a String." As written in Esquire, "Sinatra's voice is clear, tough, on the money. 'You Make Me Feel So Young' is sturdy, fabulously syncopated. 'Fly Me to the Moon' is automatic. Sinatra swings to his very center, in absolute control. 'Where or When' is performed by a 45-year-old man. It is everything that Sinatra wishes to convey. It is a ballad with tempo that gathers steam and explodes at its conclusion. He decides to sing an unplanned fifth song. 'Here's one that everybody knows,' Sinatra says, over the intro to 'My Kind of Town.' It's the equal of 'Where or When.' Then, for a final encore, Bill Miller slides into 'The Best Is Yet to Come.' His singing is high art. And then he's gone." Tony O': "It was a jubilant evening, reaching for notes and holding them. It was a phenomenal, phenomenal show. In the middle of songs he was making jokes. He was fantastic and made mincemeat out of the critics."

The performance was over. For a long time now, Dad has been talking about hanging it up for good—after all, he'll be 80 in December 1995—so if this is the final show he ever gives, he's ended in the style of a showman: on a classic high note. But his songs will be heard long after he stops singing them, and I can't help but remember his last line at another concert not long ago, a kind of blessing and a benediction to those who love the music that he's lived: "May you live to be 100 and the last voice you hear be mine."

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

FEBRUARY 16–MARCH 1, 1967: FS did another two-week stint at the Fontainebleau Hotel... [See February 16th]

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

FEBRUARY 17–MARCH 2, 1965: He and [Joe E.] Lewis moved the act to the Sands for another two-week run.

FEBRUARY 25, 1962: Dad appeared with Dean Martin on their friend Judy Garland's NBC television show.

Dean and Frank with Judy on her
television show.
FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1867  
Old 02-25-2010, 07:42 AM
David B.'s Avatar
...goes on and on,
Pasadena, California
 
FEBRUARY 25, 1995:
Quote:
As written in Esquire...

"His singing is high art."
Boy, is it ever!
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David B.
  #1868  
Old 02-25-2010, 10:30 AM
Default Avatar
Inactive
Westerham, Kent, England.
 
Hi art?

Sombody has to be tops in everything attempted out there.
It just happened to be Frank Sinatra with singing.
  #1869  
Old 02-25-2010, 11:27 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
February 26th

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

FEBRUARY 26, 1986: In attendance at the President's Committee on the Arts and Humanities annual meeting and luncheon at the White House.

FEBRUARY 26–MARCH 14, 1976: He played Caesars Palace in Las Vegas and Harrah's in Lake Tahoe.

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

FEBRUARY 26, 1968: Filming began in Miami for Lady in Cement, with Frank reprising his Tony Rome character. Director Gordon Douglas: "I had been continually rehearsing a scene with a young actress who had little experience and understandably was nervous. Frank, who was to be in the scene later, had the sensitivity to see it. He knew his being around would only make her more nervous, so he disappeared to the back of the set. I was concerned how the shooting of this scene would come across. Frank came over to me and said, 'Relax, she'll be fine.' And to top it all off, he did a little prophesying. 'She's also going to be a big star.' At that time I could not see it. But I'm sure that actress, who goes by the name of Raquel Welch, will forgive me."
RAQUEL WELCH ON FRANK SINATRA: I think Frank is suspicious of most women. He thinks they only go for him because of who he is. That's why he likes Nancy, his first wife. She knew him when he was nothing, and he trusts her absolutely.
FEBRUARY 16–MARCH 1, 1967: FS did another two-week stint at the Fontainebleau Hotel... [See February 16th]

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

FEBRUARY 17–MARCH 2, 1965: He and [Joe E.] Lewis moved the act to the Sands for another two-week run.

FEBRUARY 26, 1950: FS appeared in a fund-raising gala at the Biltmore Bowl on behalf of the Jewish Home for the Aged.

FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1870  
Old 02-25-2010, 11:36 PM
Nancy's Avatar
Administrator
Southern California
 
Quote:
RAQUEL WELCH ON FRANK SINATRA: I think Frank is suspicious of most women. He thinks they only go for him because of who he is. That's why he likes Nancy, his first wife. She knew him when he was nothing, and he trusts her absolutely.
Such a good quote, and so true.
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  #1871  
Old 02-27-2010, 12:04 AM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
February 27th

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

FEBRUARY 27, 1983: In a command performance for Queen Elizabeth at 20th Century Fox in Los Angeles, Dad shared the bill with Perry Como, Dionne Warwick and George Burns.

Her Majesty Queen Elizabeth, Nancy
Reagan and Prince Philip greet Perry,
Frank, Dionne and George on Stage 9
at Fox. The dinner menu included:
Papaya with Bay Shrimp, Chicken Pot
Pie, Fresh Spinach with Bacon and a
Toasted Coconut Snowball.
FEBRUARY 26–MARCH 14, 1976: He played Caesars Palace in Las Vegas and Harrah's in Lake Tahoe.

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

FEBRUARY 27, 1970: Frank performed at the Nixon White House as part of a tribute to Senator Everett Dirksen.

FEBRUARY 16–MARCH 1, 1967: FS did another two-week stint at the Fontainebleau Hotel... [See February 16th]

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

FEBRUARY 17–MARCH 2, 1965: He and [Joe E.] Lewis moved the act to the Sands for another two-week run.

FEBRUARY 27, 1962: According to Kenneth O'Donnell, an aide to JFK, the Secret Service had been asked to select a place for the president's visit to Palm Springs that had the necessary and best security. My father's place was open all around, but Bing Crosby's was backed up against a mountain and was ideal for their purposes. O'Donnell said that when the plan was announced, he heard that Peter Lawford was "hysterical" because the president had promised to stay with Sinatra. Lawford called O'Donnell and said, "Don't you realize Crosby is a Republican?" to which O'Donnell replied, "I don't care if he's a Red Chinaman—the Secret Service likes his place better than Sinatra's." Later, it was reported that the Attorney General had advised against staying at my dad's place "because of associations with known criminals." However according to O'Donnell, Robert Kennedy had called him urging that JFK stay at the Sinatra family residence, but even that didn't sway the Secret Service. The president came to Palm Springs and stayed at Crosby's house. He phoned Dad from Bing's.

FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1872  
Old 02-28-2010, 12:49 AM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
February 28th / 29th

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

FEBRUARY 28, 1983: Frank, with guitarist Tony Mottola, recorded "It's Sunday." That evening he attended a dinner party for Queen Elizabeth aboard the Brittania, which was docked in Long Beach.

Gentle and brilliantly talented guitarist
Tony Mottola and Frank first worked
together when they were in their early
20s. Here, Tony is rehearsing "Autumn
Leaves" at Caesars Palace in 1983.
FEBRUARY 28–MARCH 5, 1977: Dad went to London to give a series of concerts on behalf of the National Society for the Prevention of Cruelty to Children. Two princesses were in his audiences: Margaret and Anne, Queen Elizabeth II's sister and daughter, respectively. Frank Sinatra's popularity in London was so great that a group of British fans started a movement to change the name of the Royal Albert Hall, where he performed, to the Francis Albert Hall.

FEBRUARY 26–MARCH 14, 1976: He played Caesars Palace in Las Vegas and Harrah's in Lake Tahoe.

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

FEBRUARY 16–MARCH 1, 1967: FS did another two-week stint at the Fontainebleau Hotel... [See February 16th]

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

FEBRUARY 28, 1965: Film clips of Dad's early appearances were included in a CBS special, Cavalcade of Amateurs.

FEBRUARY 17–MARCH 2, 1965: He and [Joe E.] Lewis moved the act to the Sands for another two-week run.

FEBRUARY 28–MARCH 13, 1961: He played two weeks at the Fontainebleau Hotel in Miami Beach.

FEBRUARY 29, 1956: Dad was devastated when Humphrey Bogart, a heavy smoker, was diagnosed with throat cancer.

FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1873  
Old 02-28-2010, 11:02 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
March 1st (Part 1)

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

MARCH 1, 1994: At the Grammy Awards show, Frank Sinatra accepted the Legend Award for lifetime achievement from Duets partner and new friend, U2's Bono, who had given him a wonderfully loony, warm, witty and beautifully written introduction, which he wrote on the plane. During Dad's speech, the TV broadcast suddenly went to commercial. Some people believed he was cut off because his comments, which included regret at not having been invited to perform on the show, were inappropriate. This wasn't true. Someone unwisely asked the producers to cut away if the speech ran too long. Unfortunately, their timing wasn't good because the rest of Frank's remarks were charming. He virtually ignored the TV cameras and spoke directly to the audience at Radio City about his love for them and for New York City.


U2'S BONO INTRODUCING SINATRA AT THE GRAMMIES: Frank never did like rock 'n' roll. And he's not crazy about guys wearing earrings either, but hey, he doesn't hold it against me and anyway, the feeling's not mutual.

Rock 'n' roll people love Frank Sinatra because Frank Sinatra has got what we want: swagger and attitude. He's big on attitude, serious attitude. Bad attitude. Frank's The Chairman of the Bad.

Rock 'n' roll plays at being tough, but this guy's...well, he's the Boss, the Boss of Bosses, the Man. Big Daddy. The Big Bang of Pop. I'm not gonna mess with him—are you?

Who is this guy that every city in America wants to claim as their own? This painter who lives in the desert, this first-rate, first-take actor, this singer who makes other men poets, boxing clever with every word, talking like America.

Speedy...straight up...in headlines...comin' through with the big shtick, the aside, the quiet compliment...the good cop/bad cop all in the same breath.

You know his story because it's your story.

Frank walks like America, cocksure...

It's 1945. The U.S. cavalry are trying to get their asses out of Europe, but they never really do. They are part of another kind of invasion. A.F.R. American Forces Radio, broadcasting a music that will curl the stiff upper lip of England and the rest of the world, paving the way for rock 'n' roll with jazz, Duke Ellington, the big band, Tommy Dorsey and, right out in front, Frank Sinatra.

His voice tight as a fist, opening only at the end of a bar, not on the beat, over it...playing with it, splitting it...like a jazz man, like Miles Davis...turning on the right phrase in the right song, which is where he lives, where he lets go, and where he reveals himself...his songs are his home and he lets you in...but you know, to sing like that, you gotta have lost a couple o' fights...to know tenderness and romance, you have to have had your heart broken.

People say Frank hasn't talked to the press. They want to know how he is, what's on his mind. But you know, Sinatra is out there more nights than most punk bands...selling his story through the songs, telling and articulate in the choice of those songs...private thoughts on a public address system...generous.

This is the conundrum of Frank Sinatra...left and right brain hardly talking, boxer and painter, actor and singer, lover and father, troubleshooter and troublemaker, bandman and loner, the champ who would rather show you his scars than his medals. He may be putty in Barbara's hand, but...I'm not gonna mess with him, are you?

Ladies and gentlemen, are you ready to welcome a man heavier than the Empire State, more connected than the Twin Towers, as recognizable as the Statue of Liberty...and living proof that God is a Catholic?

Will you welcome the King of New York City...FRANCIS...ALBERT...SINATRA!


A.J. LAMBERT ON MEETING BONO AFTER THE GRAMMYS: I told him about my concern regarding my desire to be a musician and my family name. He told me not to worry about it and to let connections be connections. Don't shun the help when I need it. But try to retain my own thoughts, my own voice and my independence at the same time.
MARCH 1991: The Voice of Our Time, a 90-minute special about Frank Sinatra's life and career, aired on public television.

MARCH 1991: "The Fascination of Frank Sinatra," a film retrospective at the School of the Art Institute of Chicago, featured 10 of Dad's movies. Although fairly limited in scope, the program, critics believed, delineated the depth and importance of his screen work. Wrote one critic, "Sinatra starred in several of the most psychologically probing films to come out of Hollywood....Like his singing, Sinatra's acting is subtle, understated and absolutely true."

MARCH 1988: Twenty-six years after it premiered in 1962, Dad's classic thriller The Manchurian Candidate was rereleased to a new moviegoing audience.

MARCH 1, 1987: Frank Sinatra's third grandchild was born, named Michael Francis Sinatra. My brother and his longtime friend, Pat Fisher, both wanted a child and were worried about the passing of the years, so they made a commitment to conceive. Michael is just like Frankie was as a kid. Looks like him. Acts like him. Cute as a button. Smart as a whip.

My nephew Michael at my house,
Christmas 1994. In him we see the link
to the future of the Sinatra name.
FEBRUARY 28–MARCH 5, 1977: Dad went to London to give a series of concerts... [See February 28th]

FEBRUARY 26–MARCH 14, 1976: He played Caesars Palace in Las Vegas and Harrah's in Lake Tahoe.

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

MARCH 1968: Knowing my Dad was in trouble because of his separation from Mia, I went to Miami to spend a little time with him. He was sad. He was hurting. But he expressed his concern for Mia. "It will be harder for Mia to mend because of her age. When you get to be my age, you've built a wall around yourself. You don't hurt as much as you used to."

We watched as President Lyndon Johnson gave a television talk. This was the startling "I shall not seek and I will not accept the nomination" speech. Afterward, we spoke, as we had before, about the war, politics, possibilities. My father believed strongly in Hubert Humphrey. He felt he should run. I, a supporter of Bobby Kennedy, said, "He must address the issue of Vietnam." "I agree," Dad said. "But he won't as long as he is Johnson's vice president. He will not embarrass LBJ by denouncing the war." I couldn't abide this—I had seen that atrocious war and I knew it had to stop. My father knew it, too. He also knew that Humphrey felt the same way. [See also August 1st: Hubert Humphrey on Dad's Ideals]

FEBRUARY 16–MARCH 1, 1967: FS did another two-week stint at the Fontainebleau Hotel... [See February 16th]

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

FEBRUARY 17–MARCH 2, 1965: He and [Joe E.] Lewis moved the act to the Sands for another two-week run.

MARCH 1962: Frank attended a tribute to Bob Hope by the Motion Picture Producers Association at the Beverly Hilton Hotel in Los Angeles.

MARCH 1962: He and Dean Martin made cameo appearances as visitors from another planet in the last of Hope and Crosby's celebrated "Road" pictures, The Road to Hong Kong.

FEBRUARY 28–MARCH 13, 1961: He played two weeks at the Fontainebleau Hotel in Miami Beach.

MARCH 1, 1960: Frank recorded three songs for the Nice 'n' Easy album with Nelson Riddle at the Capitol studios in Los Angeles: "You Go to My Head," "Fools Rush In" and "Try a Little Tenderness." Among the 30 other songs he'd record this year: "The Nearness of You," "Embraceable You," "How Deep Is the Ocean?," "When You're Smiling," "My Blue Heaven," "Always" and "Blue Moon."
  #1874  
Old 02-28-2010, 11:07 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
March 1st (Part 2)

MARCH–APRIL 1959: Frank toured the United States and Australia with a small jazz group led by Red Norvo. [See Live In Australia, 1959]

MARCH 1958: Dad proposed marriage to Lauren Bacall. She accepted.


BACALL ON THE RELATIONSHIP: The last few months of Bogie's illness, a part of me needed a man to talk to, and Frank turned out to be that man. I not only began to depend on his voice on the other end of the phone, but looked forword to him. By the time Bogie died, my dependence on him become greater and greater. We continued for several months as close friends.

Then suddenly he didn’t call for days. After a week the phone rang. That’s when our relationship really changed. No promises were made, but we were together—a couple. I said my house—I knew if I moved out of it he’d feel better. I knew Bogie’s ghost would always come between us. Though his erratic behavior was very much part of him, I flatly refused to face what it might portend. Frank didn’t know how to apologize, but he was fairly contrite, at least for him. He said he had felt somewhat trapped—was "chicken"—but now could face it. "Will you marry me?" He said those words and he meant them. I must have hesitated for at least 30 seconds. I was ecstatic—we both were.


BACALL ON THE BREAK UP: We went to have a drink with Swifty Lazar, and when Frank told him we were going to get married, I don’t think he took it seriously until Frank started to plan the wedding. "We’ll get married at the house and instead of our going away, we’ll have our friends go away." A young girl came over for autographs. Frank handed me the paper napkin and pen. He said, "Put down your new name" So "Lauren Bacall" was followed by "Betty Sinatra." I often wondered what become of that napkin. Frank was leaving for a singing engagement in Miami—we’d work everything out on his return. Mum’s the word until then. I was giddy with joy, felt like laughing every time I opened my mouth. I said nothing to anyone, but now I knew—my life would go on. The children would have a father, I would have a husband, we’d have a home again.

A few days later I went to the Huntington Hartford for an evening of Dickens. Swifty took me, and all Hollywood was there. At intermission Louella Parsons asked me if Frank and I were going to get married. I kept moving toward the ladies’ room and said, "Why don’t you ask him?" On my return I saw Swifty still talking to her. On the way home after the theater and supper we pulled up to a newsstand for the early edition of the morning paper. I saw enormous black letters jumping out at me from the
Examiner: SINATRA TO MARRY BACALL. When I confronted Swifty, he just laughed. Frank didn’t call for a few days, then finally one night he did, saying, "Why did you do it? I haven’t been able to leave my room for days. The press are everywhere—we’ll have to lie low and not see each other for a while."

There was nothing left to say to Frank. His attitude was remote and clearly he thought I’d given it away—he couldn’t deal with the press, they were driving him crazy, and under this circumstance the pressure was too great. He felt trapped. Though we met twice in the next six years, each time Frank looked right through me as if I wasn’t there. We did not speak again until we met at one of Swifty’s parties, where Frank told him, "You were responsible for what happened between her and me!" It was his way of admitting he knew it was Swiftly who had spilled the beans. Actually, Frank did me a great favor—he saved me from the disaster our marriage would have been. He was probably smarter than I: He knew it wouldn’t work. But the truth also is that he behaved like a complete shit. He was too cowardly to tell the truth: that it was too much for him and he couldn’t handle it. But it turned out to be a tragedy with a happy ending. Now we’re back on a friendly basis. I’ll always have a special feeling for him, because the good times we had were awfully good.
MARCH 1955: After Bela Lugosi checked himself into a hospital to cope with his addiction to heroin, the horror-film star was astonished to receive a kind note and a basket of gourmet delicacies from Frank Sinatra. "It was a wonderful surprise," said Lugosi at the time. "I've never met Sinatra, but I hope to soon. He was the only star I heard from."
ACTOR LEE J. COBB ON FRANK AS A FRIEND IN NEED: After my heart attack in the summer of 1955, Frank moved into my life. I was in a low mental state then, divorced and pretty much alone in the world. I was sure my career had come to an end. But Frank—whom I knew mostly from having starred with me in The Miracle of the Bells in 1948—flooded me with books, flowers, delicacies. He kept telling me what fine acting I still had ahead of me. He built an insulating wall around me that shielded me from worry, tension and strain.
MARCH 1950: Amid stories about his torrid affair with Ava, Frank opened at the Copacabana in New York, his first nightclub appearance in five years. After 10 nights in the audience, Ava left for Europe to make Pandora and the Flying Dutchman.

MARCH 1948: FS met an Israeli gentleman with offices on the top floor of the Hotel 14 on East 60th Street in New York City. The man's name was Teddy Kollek, and he was an activist for the Haganah in the war of independence—later elected mayor of Jerusalem—who was buying arms in the U.S. and smuggling them out of the country. Befriending Kollek, Dad became one of the couriers who transferred money from Haganah headquarters in the hotel to the Manhattan docks for shipment overseas. It was the beginning of his ongoing commitment as a public benefactor and friend of the Israeli cause. When I asked my father whether he had really done this for Kollek he said, "Yes, it was the beginning of that young nation. I wanted to help, I was afraid they might fall down." [See FS and Israel]

MARCH 1947: MGM's Louis B. Mayer told my father's agents at MCA that he was distressed by the negative publicity. [See February 11th and February 1947] At MGM, Frank's relationship with Mayer had always been an odd one. Mayer had been so taken with Dad's singing—at the benefit for the Jewish Home for the Aged back in 1944—that he sort of adopted him. [See Mid-January 1944] He really loved him, and the feeling was mutual.


FRANK ON LOUIS B. MAYER AND MGM: I was sitting in the makeup chair at RKO when Joe Nolan, a nice guy who was in charge of production, come in and said to me, "You'd better get your bag packed. You've been traded." I said, "What is this, a ball club or something?" He said that Mayer wanted me and he had me. I went from $25,000 a picture to $130,000 a picture. Now if you were at Metro, they signed you and you got paid every week. But it was almost like the rule of the NFL: If you didn't do a picture you were on suspension until the end of the picture. Then they'd give you another script and if you took it fine, and if you didn't take it, they didn't kick you out, you just didn't get paid for a time. But you didn't want for anything. Instead of chintzy little dressing rooms, theirs were beautiful, made of cedar, with settees and coffeemakers and a record player. But no telephone, because it could spoil a scene if the phone started ringing in the middle of it. But I said I had to have a phone. I love the telephone. I don't love it when it rings and rings and nobody answers, but I needed one because I was beginning to get into businesses too. So we come up with an idea of how to solve it. We silenced the bell and put on a light. I did a lot of other things, and usually the minute I said I'd like something, bang, it was done. I was Mayer's boy until I made a wisecrack later on, but for a long time there was nothing better. It was almost like a womb. Everything was done for you. If an actor was signed and had to move out from the east, and he wanted to buy a house for his family, they would lay out the money and deduct a little each week. It was worm and happy and I miss it today. There is no such thing anymore. Mayer was a genius. I don't think he knew the front of a camera from the back, but he knew people, and when he booked people I don't think he ever missed. They become major stars. He had good people working under him and the best of everything around him.
MARCH 1943: Finally freed legally from his contract with Dorsey and RCA [see September 8th 1942], Frank signed with Columbia Records. Manie Sacks wanted him to debut with a rerecording of "All or Nothing at All," but since the musicians' union was still out on strike, Columbia rereleased the 1939 version Frank recorded with Harry James. [See August 31st 1939] It became Dad's first million seller—and a Sinatra classic.
FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1875  
Old 03-01-2010, 11:54 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
March 2nd

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

MARCH 2–8, 1978: Back for yet another week at Caesars.

FEBRUARY 28–MARCH 5, 1977: Dad went to London to give a series of concerts... [See February 28th]

FEBRUARY 26–MARCH 14, 1976: He played Caesars Palace in Las Vegas and Harrah's in Lake Tahoe.

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

FEBRUARY 17–MARCH 2, 1965: He and [Joe E.] Lewis moved the act to the Sands for another two-week run.

FEBRUARY 28–MARCH 13, 1961: He played two weeks at the Fontainebleau Hotel in Miami Beach.

FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1876  
Old 03-02-2010, 09:43 AM
Nancy's Avatar
Administrator
Southern California
 
Quote:
I said I had to have a phone. I love the telephone. I don't love it when it rings and rings and nobody answers, but I needed one because I was beginning to get into businesses too. So we come up with an idea of how to solve it. We silenced the bell and put on a light.
That part of Dad's LB Mayer quote caught my eye again. They still use phones like that in all studios and on locations as well. Pretty smart idea.
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  #1877  
Old 03-03-2010, 09:59 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
March 3rd

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

MARCH 3, 1986: FS appeared at a tribute to Spencer Tracy at the Majestic Theater in New York City with Katharine Hepburn. In a letter written to Frank shortly after Spencer's funeral in 1967, Katharine Hepburn wrote: "There is not much one can say. It is sad when one comes to the end of the trail—but Spencer was tired out—and at least no agonies, no anticipation—He liked you very much and I was always grateful to you for the trouble you took. You made him happy."

FS and The Devil at 4 O'Clock co-star
Spencer Tracy. [See July 16th 1961]
MARCH 3–14, 1983: He returned for a week at Caesars Palace in Las Vegas, then moved on to Harrah's in Tahoe. John Denver filled in for him on the 13th because of Frank's sore throat.

MARCH 2–8, 1978: Back for yet another week at Caesars.

FEBRUARY 28–MARCH 5, 1977: Dad went to London to give a series of concerts... [See February 28th]

FEBRUARY 26–MARCH 14, 1976: He played Caesars Palace in Las Vegas and Harrah's in Lake Tahoe.

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

MARCH 3–APRIL 6, 1968: Each day, after Lady in Cement wrapped, Frank did his nightclub act at the Fontainebleau.

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

MARCH 3, 1963: He was on the dais with Dean Martin in Los Angeles for an awards dinner honoring one of his great musical inspirations, Irving Berlin, much of whose best work he had recorded over the years.

FEBRUARY 28–MARCH 13, 1961: He played two weeks at the Fontainebleau Hotel in Miami Beach.

FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1878  
Old 03-04-2010, 05:21 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
March 4th

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

MARCH 3–14, 1983: He returned for a week at Caesars Palace in Las Vegas, then moved on to Harrah's in Tahoe.

MARCH 4–17, 1982: He returned to Caesars Palace for a two-week run with Shields and Yarnell and me. He said to me, "Go on tour with me for a year and let's see what happens." We both agreed it would be fun for my kids to see what the road was about, and when they weren't in school they traveled on the road with us.

On the road with Dad—and the kids.
There were times of chaos and times
of joy.
MARCH 2–8, 1978: Back for yet another week at Caesars.

FEBRUARY 28–MARCH 5, 1977: Dad went to London to give a series of concerts... [See February 28th]

FEBRUARY 26–MARCH 14, 1976: He played Caesars Palace in Las Vegas and Harrah's in Lake Tahoe.

FEBRUARY 8–MARCH 4, 1972: Stepping up his schedule of charity work... [See February 8th]

MARCH 3–APRIL 6, 1968: Each day, after Lady in Cement wrapped, Frank did his nightclub act at the Fontainebleau.

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

FEBRUARY 28–MARCH 13, 1961: He played two weeks at the Fontainebleau Hotel in Miami Beach.

MARCH 4, 1946: Frank released his 78 rpm album "The Voice."

FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1879  
Old 03-05-2010, 01:21 PM
SinatraFan's Avatar
Life's A Trippy Thing
Orange County, California
 
March 5th

(From the Guestbook page and the online book Frank Sinatra: An American Legend by Nancy Sinatra )

MARCH 3–14, 1983: He returned for a week at Caesars Palace in Las Vegas, then moved on to Harrah's in Tahoe.

MARCH 4–17, 1982: He returned to Caesars Palace for a two-week run... [See March 4th]

MARCH 5–11, 1979: His next engagement: Philadelphia's Valley Forge Musical Theater.

MARCH 2–8, 1978: Back for yet another week at Caesars.

FEBRUARY 28–MARCH 5, 1977: Dad went to London to give a series of concerts... [See February 28th]

FEBRUARY 26–MARCH 14, 1976: He played Caesars Palace in Las Vegas and Harrah's in Lake Tahoe.

MARCH 5, 1975: Three new songs were recorded: "Anytime (I'll Be There)," "The Only Couple on the Floor" and "I Believe I'm Gonna Love You." Arrangements were by Don Costa, and the orchestra was conducted by Bill Miller.

MARCH 3–APRIL 6, 1968: Each day, after Lady in Cement wrapped, Frank did his nightclub act at the Fontainebleau.

FEBRUARY 24–MARCH 10, 1966: In high gear on the club circuit... [See February 24th]

FEBRUARY 28–MARCH 13, 1961: He played two weeks at the Fontainebleau Hotel in Miami Beach.

FEBRUARY 20-MARCH 11, 1940: The [Dorsey] band played a three-week engagement at the Meadowbrook nightclub in Cedar Grove, New Jersey.

[Dates of new entries highlighted in blue]
  #1880  
Old 03-05-2010, 02:58 PM
voice1's Avatar
None But The Brave
Suburban Philadelphia, Pa.
 
MARCH 5–11, 1979: His next engagement: Philadelphia's Valley Forge Musical Theater.

And I was there!!!!
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The enemy of truth is distortion.

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