Sinatra Family Forum
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#1
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Portrait Of An Album (1984) VHS/Laser Disc
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#2
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PORTRAIT OF AN ALBUM
With Quincy Jones and Orchestra Color VHS Video by: MGM/UA Home Video Catalog No. MV400648 Released in US: 1986 Screening Time: 65 minutes Film by Gary Weis Produced by Quincy Jones and Emil G. Davidson Orchestra conducted by Quincy Jones Recorded for Qwest Records album L.A. Is My Lady in 1984: April 13-17 (New York City) and May 17 (Los Angeles) Songs, with featured soloists and arrangers: 1. The Best Of Everything Frank Wess (alto sax solo) Joe Parnello (arranger) 2. Until The Real Thing Comes Along Joe Newman (muted trumpet solo) Sam Nestico (arranger) 3. It's All Right With Me George Benson (guitar solo) Sam Nestico (arranger) 4. How Do You Keep The Music Playing? Joe Parnello (piano) Joe Parnello (arranger) 5. A Hundred Years From Today Urbie Green (trombone solo) Sam Nestico (arranger) 6. After You've Gone George Benson (guitar intro) Lionel Hampton (vibes solo) Frank Foster (arranger) 7. Teach Me Tonight Torrie Zito (arranger) 8. If I Should Lose You Sam Nestico (arranger) 9. Stormy Weather Lee Ritenour (guitar solo) Sam Nestico (arranger) 10. Mack The Knife Major "Mule" Holley ("grunt" bass solo) George Benson (guitar solo) Joe Newman (muted trumpet solo) Urbie Green (trombone solo) Lionel Hampton (vibes) Frank Foster (arranger) 11. L.A. Is My Lady Ralph MacDonald (percussion intro) George Benson (solo guitar fills) Bob James (electric piano solo) Dave Matthews, Quincy Jones, Jerry Hey, Torrie Zito (arrangers) [Edited song order above to reflect the video rather than the album.] |
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#3
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This color film documentary provides a fascinating behind-the-scenes look at the making of Frank Sinatra's last solo studio album. It includes commentary by Quincy Jones, musicians Lionel Hampton and Frank Foster, songwriters Alan and Marilyn Bergman, and session/recording engineer Phil Ramone.
For earlier discussion, see the thread in Frank's Recordings: L.A. Is My Lady. Here is a relevant quote from that thread: Quote:
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#4
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Portrait of an Album: The Making of "L.A. Is My Lady"
I just finished re-viewing this film, and I want to reiterate Bill of Naples' comment above. This is a sheer joy to see! If ever a VHS video cried out for conversion to DVD, it is this tape.
The color photography is magnificent, the commentary is edifying, and the music is superb. Not only do you see FS and Q in the recording studio performing all of the songs from the album (including the original vocal track to "Mack The Knife"), but you get to see many of the all-star lineup of jazz musicians. If you've ever wondered who Frank was talking about when he sings: "We got George Benson, we got Newman/Foster, we got the Brecker Brothers, and Hamp's bringin' up the rear..." you can see "all these bad cats" for yourself. (That's Benson on guitar; Joe Newman, trumpet, and Frank Foster, sax; Randy Brecker, trumpet, and Michael Brecker, sax; and Lionel Hampton, vibes.) There are many other vignettes I had forgotten, such as when Frank presents Quincy with a copy of a 1930 payroll sheet for the Paul Whiteman Orchestra, which performed in the same New York studio, and someone in the band calls out to ask, "Is Ray Brown on there?" (Ray Brown, who passed just three years ago, was jazz's preeminent bassist since the '40s. He was once musical director and husband of Ella Fitzgerald, manager of Quincy Jones, and a member of the famed Oscar Peterson Trio. His identifiable bass sound is heard prominently on these sessions.) Another interesting moment, from times more innocent than today, was when Quincy brought a young Michael Jackson into the studio to meet Frank Sinatra. My favorite song on the album is Michel Legrand's "How Do You Keep The Music Playing?" with lyrics by the Bergmans, who contribute much on-screen commentary here. It is wonderful to be able to see as well as hear Joe Parnello's piano playing on his arrangement of that song. At the conclusion of the performance, the band breaks into applause for Sinatra! If you haven't seen this video, or haven't seen it recently, I recommend you do so. Good stuff. |
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#5
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needed bumping
__________________
oculis coniventibus facile est vivere
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#6
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When I got home and saw this bumped, I just had to dig the tape out and watch it through. It is a very special experience to see Frank in a studio setting, very intimate and it is also interesting when compared to older clips of Frank to see a more casually styled Sinatra (loved the jumpers) rather than the usual suit & tie archetype.
How Do You Keep The Music Playing is magical to watch.
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That's the way the cookie crumbles Yvonne |
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#7
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I hope a dvd is released soon before I wear out my vhs tape. Man what an album that was and Quincy Jones was having such a great time.
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George B. |
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#8
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Got a bit of grouting to do then i'm going to root out the tape and watch this.
Oh the things you can do when it's not the footy season!
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'Cause he was Sensational....Thats all!
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#9
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this is great VHS which I am lucky to have...To se Frank working with the musicians and Mr, Quincy Jones...I treasure having this....Amy
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Amy |
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#10
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Quote:
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#11
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HAs this ever been issued on DVD? I had it on VHS years ago.
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#12
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FS and Michael Jackson
I think the photo deserves repeating, along with the caption from Nancy's book:
Quote:
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#13
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No it hasn't, Greg. As I wrote above:
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#14
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I just got this video and watched it a few days ago. It really was awsome to see Frank in the recording studio while he was actually recording the songs, it truly is a sight to behold. It's a nice companion to the cd. All the songs on the album are good and one of the things I enjoyed the most was hearing for the first time the original version of Mack The Knife. Of course seeing Frank work together with Quincy and some other jazz lengends is another thing I enjoyed. The commentary during the video is some of the best I have every heard for a program like this. It's amusing how these musicians who have worked with many other singers and are well known themselves still were in awe by getting to work with Sinatra. Also, how some of the songs like Mack The Knife completely amazed them.
![]() This is one video I'm glad I finally got!
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Allen "Could start for the corner... turn up in Spain... why try to change me now..."
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#15
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This video was issued on laserdisc and I had a chance to pick it up but I already had and still have the SuperBeta Hi-Fi version. Looks and sounds great, even to this day.
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Gonzalo Duque "Gonzo" 1997 Thunderbird Limited Edition 4.6L V8 1997 Lincoln Mark VIII LSC 4.6L Cobra V8 |
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#16
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Thanks for this thread, Bob... This is just what I've been looking for. Hope I can find it.
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Tutti a tavola a mangiare! |
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#17
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I'd love to get this video too. I haven't been able to find it yet. But I do have those songs on cd. I particularly love If I Should Lose You. The orchestration on that song is terrific. It'd be fun to watch that performance.
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"Here's to trouble-free tomorrows. May your sorrows all be small." |
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#18
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I can't believe I haven't commented on this yet!
I received this video as my prize from Nancy for being the 3,625,002nd visitor (there were two anonymous visitors before me) to the site. What a doll Nancy is, taking the time to figure out what I would like and then sending it to me with a lovely note! Thank you so much, Nancy!I watched it the same week I got it and watched it again last night. What a great documentary! I know some people say that this album is "dated" but I really loved all of the songs. My absolute favorite is "How Do You Keep The Music Playing?" The tinkling piano throughout, coupled with the gentle lyrics slays me every time. This video absolutely MUST come out on DVD. The quality was a little fuzzy because I was watching it on a 61" HDTV so the format was skewed. I was imagining how much better it would be if they re-mastered it and released it on DVD. If and when they do release it on DVD, they should add the clip of Frank singing the version of "Body & Soul" that was also recorded during this session. That would pretty much complete it ![]() Frank and Q seem to be having so much fun together on the video and it was sweet of Frank to give him a copy of the 1930 payroll sheet for the Paul Whiteman Orchestra. Bob, it seems we agree on everything! I also absolutely adore the smile that stretches across Frank's face when he hears Major Holley grunting while playing his bass Seeing him so tickled make hearing "Mack The Knife" that much better when Major Holley does his solo.The commentary throughout is priceless, especially by Quincy himself, and it seemed that everyone truly loved Frank and had a ball during the making of this album. I wish I could have been there!
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Kate "Frank is just like you. Just like me. Only bigger." |
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#19
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Quote:
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#20
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Bumping up, in conjuction with Nancy's SIRIUS XM Special Edition for the Smithsonian's Jazz Appreciation Month, plus some related conversation in the Frank's Recordings thread: L.A. Is My Lady.
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